Apparently a classic of the sci-fi cannon, I'd never heard of this book until it came up on a book club here. It took me a long time to read only because of lack of time, and a rather annoying trait the author has that I'll go into later.
This is one of those books that tells us more
about the period it was written in than anything else, so it's important
to note that it was first published in 1961 and later again in 1968 -
when moon fever was running high and people seemed to have high
expectations for human achievement.
Events are set in an
undisclosed future but the older characters seem to remember the first
moon landing, so I wouldn't be surprised if Heinlein was thinking of it
being set around about now. With a mix of very daggy technology like
"stereo tanks" (TVs) and large, clumsy listening devices, alongside
hover crafts and spaceships to Mars, the scope of the setting is
hampered by a 50s' imagination.
Stranger in a Strange Land
is about Michael "Mike" Smith, the "Man from Mars", offspring of two of
scientists on board the original mission to Mars, who was raised by
Martians. He is more Martian than human, especially in his thinking and
outlook and philosophy, when he is brought back to Earth. Heir to a
shitload of money care of his parents' heritage, it's unsurprising that
the bigshots on Earth are wanting to keep him locked up tight. A nurse
at the hospital where he is first kept, Jill, offers him a glass of
water and in that one action becomes a "water brother" - the highest
accolade for Mike. She rescues him from the politicians with the help of
her journalist friend Ben and takes him to the home of a grumpy,
reclusive man, Dr Jubal Harshaw, who lives with three young women who
serve as secretaries - Anne, Miriam and Dorcas - and two men who take
care of the property - Duke and Larry.
Mike's particular talents
slowly reveal: he can vanish things, including people, if he recognises
there is a "wrongness" in them; he can withdraw from his own body and
shut down his body so there is no heartbeat; he can teleport and think
telepathically; he can absorb books in minutes and regulate his own
body, making it muscular and mature at will; and so on. All of this can
be done with understanding of the Martian language, which Jill starts to
He's completely ignorant of human ways, of human
concepts - things like jealousy, possessiveness etc. are all alien to
him. He doesn't understand religions and he has never laughed.
months on the road with just Jill, learning and "grokking", he finally
knows why humans laugh and how to do it himself, and gets the human
condition. It leads him to start his own "church", though it's more of a
way of life open to people of all religious denominations, with free
love and open mindedness, and abilities gained through mastery of the
Martian language. With Mike set up as a new Messiah, a prophet, there's
only one logical conclusion for this story.
As a story, Stranger in a Strange Land
is enjoyable and original. Yet, as a story, it's also bogged down with
sermons, with Heinlein's opinions, and a very out-of-date mentality. It
reads very 60s and 70s, though it was written before then. Not as
far-sighted as it would like to be! It's especially noticeable in the
relations between men and women, which have that faintly liberated tinge
that's all really lip service, and a great deal of sexist language.
Which is ironic, really, considering Mike's free love cult. There's also
an affectionate insult for a Muslim character who's nicknamed "Stinky"
that I couldn't help but be offended by.
It does make it hard to
read, though, when you come across lines like this, as spoken by Jill
very matter-of-factly: "Nine times out of ten, if a girl gets raped,
it's partly her fault." (p304) While today the statistics are more like
"nine of ten times, a woman's rapist is someone she knows", the idea
that it's "partly her fault" is still considered true by way too many
people. To hear this come out of Jill's mouth makes it especially awful.
example is Jubal saying: "Pipe down, Anne. Close your mouth, Dorcas.
This is not a time when women have the vote." (p382) Granted, they
ignored him and did what they wanted anyway, but there're a lot of these
flippant, dismissive remarks all through the book. Product of its
times, sure: just not at all futuristic.
Then we come to the
proselytizing, which the book is rife with. Today, reading this book,
the opinions shared are very "yes, so?" - old hat, in other words.
Though it is fun to read the rants, the set-up is cringe-worthy. Jubal
is the main lecturer, and the characters around him serve as props.
There are a great many "Huh?"s from educated and knowledgeable people so
that Jubal can share his abundant wisdom. One "huh?" is okay, but when
each long paragraph of Jubal is responded to with a "huh?" it gets a bit
silly. Frankly, it's bad writing. It reminded me somewhat of The Da Vinci Code, which also uses characters to expound the author's theories on religion etc. at great length.
these things did at times make it harder to read the book, essentially
the book is easy to read and often quite fun too. Jubal's sermons (and
when Jubal isn't around, other characters fill the role, like Ben and
Sam) can be a bit heavy-handed and obvious but a lot of it I agree with,
so it wasn't rubbing me up the wrong way. Mike is a challenging
character to write, because in order to write a naive, ignorant
character to this extent, you need to be incredibly self-aware. Heinlein
has fairly good success here, and Mike's growth, maturation,
development and resolutions fit the character and work. He has charisma
and is definitely intriguing; yet because he lacks the human flaws, he's
also somewhat unapproachable and alien: a good balance to achieve